Story of a singer from where

On the northern balconies of Canigó going down from Bélesta towards Ille-sur-Têt, an unusual detail catches the eye. An arrow pointing to the sky stands out from the horizon. To approach it, there is no path, no indication… just this little sign on the side of the road: “La Sybille”.

A little further on, a castle-like residence stands out: the Château de la Sybille. The link between these two curiosities? The diva Renée Vidal.

caveau de la sybille entre bélesta et ille sur têt en roussillon conflent dans les pyrénées orientales avec le forca real en toile de fond
Caveau de la Sybille between Bélesta and Ille-sur-Têt

Renee Vidal

Photo de Renée Vidal en costume pour son rôle dans Aida en 1891
Photo of Renée Vidal in costume for her role in Aida in 1891

Born Zélia Rose Claudine Vidal in 1861, Renée Vidal was a singer from Bélesta, France. Known between the late 19th and early 20th centuries for her roles in major classical operas , she possessed a remarkable contralto voice. She traveled extensively, from Russia to Portugal and Italy, and enjoyed the favor of Parisian high society, never forgetting her roots. Demonstrating her generosity and attachment to her origins, she performed free of charge for families affected by cholera in Ille-sur-Têt in 1884 and subsequently on several occasions for private individuals in the region.

portrait de renée vidal pour son rôle dans Aida en 1891 par les ateliers Nadar
Portrait of Renée Vidal for Aïda – 1891 – Atelier Nadar
portrait de renée vidal pour son rôle dans Hamlet en 1891 par les ateliers Nadar
Portrait of Renée Vidal for her role in Hamlet – 1891 – Ateliers Nadar

Sybille Castle

Photo of the Château de la Sybille by Lydie Robin – 1907

At Renée Vidal's request, the Château de la Sybille was built in 1889 and featured two large rooms—one on each floor—for the receptions and concerts the diva hosted there. Set amidst a park lavishly landscaped between 1890 and 1891, this haven overlooking the Orgues d'Ille was a peaceful retreat where celebrities, politicians, and artists were entertained. It was in this château that Renée Vidal died prematurely on September 26, 1911, at the age of 50.

Today the castle is a private property which unfortunately cannot be visited.

sybil's castle

The tomb of the Sybille

caveau sybille fleche forca real
Cellar of the Sybille

So, what does this famous arrow stretching towards the heavens that overlooks the road represent?

It is in fact the posthumous residence of her father, Narcisse Vidal, a fervent republican opposed to Louis-Napoleon's coup d'état in 1851. Pursued, he hid amidst the granite boulders overlooking the Têt River and was unfortunately discovered and tried. Consequently, the mausoleum in which he rests was built by his daughter in 1893 on the very site of his hiding place.

plaque et épitaphe de Narcisse Vidal sur le mausolée de la sybille entre bélesta et ille sur Têt en roussillon conflent
Stele in homage to Narcisse Vidal, father of Renée Vidal

Also, a second vault attached to the first will be reserved for Renée Vidal as well as for her husband, her mother and her sister. The latter will be the member of the family whose death sounded the hour of the final closing of the burial.

From this funerary structure, you can take in the Roussillon plain, the Canigou massif with the Orgues d'Ille in the foreground, all at a single glance. The panorama is breathtaking! If you continue your walk to the orientation table, you'll overlook the official Orgues d'Ille site and the famous Orgues de la Sibylle.

Sybille and Canigó organs

Sources:

John Rifa. 2011 "Renée Vidal (1861-1911) The singer with a tragic destiny", Notebook of Friends of the Old Ille, N°195, p. 19

https://www.lindependant.fr/2012/01/13/la-sybille-comme-un-decor-d-opera,105512.php

Geoffrey

I am a Roussillon Conflent specialist in the Ille-su-Têt sector.